Asia – Symfonia – Live In Bulgaria 2013 (Deluxe 2CD) (2017) [CD FLAC]

Asia - Symfonia - Live In Bulgaria 2013 (Deluxe 2CD) (2017) [CD FLAC] Download

Artist: Asia
Album: Symfonia – Live In Bulgaria 2013 (Deluxe 2CD)
Genre: Rock
Year: 2017
Size: ~ 533 mb
Source: CD
Quality: lossless
Sample Rate: 44.1 kHz / 16 Bit

Description:

2CD + DVD set. John Wetton, Carl Palmer, Geoff Downes & Sam Coulson. Spectacular 2013 concert in a 2nd century Roman Theatre with Plivdov Philharmonic Orchestra on CD & DVD

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Fleetwood Mac – Tango In The Night [3CD Deluxe Edition] (2017) [CD FLAC]

Fleetwood Mac - Tango In The Night [3CD Deluxe Edition] (2017) [CD FLAC] Download

Artist: Fleetwood Mac
Album: Tango In The Night [3CD Deluxe Edition]
Genre: Rock
Year: 2017
Size: ~ 1.57 gb
Source: CD
Quality: lossless
Sample Rate: 44.1 kHz / 16 Bit

Description:

Warners will issue a five-disc super deluxe edition box set of Fleetwood Mac’s 1987 album Tango in the Night in March.

The set will feature three CDs of audio, comprising of a remastered version of the album on disc one, B-sides, demos, alternate versions on disc two and 14 remixes on the third CD.

The fourth disc is a DVD which contains promo videos and a hi-res stereo version of the album (rather than a 5.1 mix). A vinyl edition is also included with the super deluxe edition.

This reissue is scheduled for release on 31 March 2017.

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Richard Edwards – Lemon Cotton Candy Sunset (2017) [WEB FLAC]

Richard Edwards - Lemon Cotton Candy Sunset (2017) [WEB FLAC] Download

Artist: Richard Edwards
Album: Lemon Cotton Candy Sunset
Genre: Rock
Year: 2017
Size: ~ 338 mb
Source: Digital Download
Quality: lossless
Sample Rate: 44.1 kHz / 16 Bit

Description:

In 2014, Richard Edwards (then frontman of Margot & the Nuclear So and So’s) was diagnosed with a potentially fatal stomach ailment, lost 50 pounds, was to forced to abandoned a sold out tour, and spent the next couple years recovering and writing a record about absence. With his marriage also ending he moved into a basement, underwent surgery on his abdomen, and re-wrote the record about absence. The result is Edwards’ first effort post-Margot “Lemon Cotton Candy Sunset”. Produced by Rob Schnapf (Elliott Smith, Cass McCombs, Beck) the album brings together friends, both old and new, for a sound that may be familiar to some fans of his former band, but more rightly a step into new territory. “I hope it sounds like being lost in an ocean”, says Edwards.

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Phish – St. Louis ’93 (Live) (2017) [WEB FLAC]

Phish - St. Louis '93 (Live) (2017) [WEB FLAC] Download

Artist: Phish
Album: St. Louis ’93 (Live)
Genre: Rock
Year: 2017
Size: ~ 1.91 gb
Source: Digital Download
Quality: lossless
Sample Rate: 44.1 kHz / 16 Bit

Description:

Phish are planning the release of a new live album on March 31, according to a new listing on Amazon.com. The 6-disc release will feature two of the band’s 1993 stops, at St. Louis’ American Theater, in their entirety.
According to the listing, St. Louis ’93 takes from Phish’s shows at the venue on 4/14/93 and 8/16/93, spanning the two tours directly after the release of their studio album, Rift. The April show featured a proposal from Trey Anastasio’s friend Roger Holloway to his girlfriend at the beginning of the first set, while the August show came during a career-highlight summer tour. Both concerts feature the band stretching out classic tunes when they weren’t quite classics yet.
The 6-disc collection, which was recorded in stereo from Paul Languedoc’s soundboard and mastered by Fred Kevorkian, will also be available for download via Livephish.com.

Read more: http://www.jambands.com/news/2017/02/07/phish-to-release-6-disc-st-louis-93-live-album#ixzz4egjC9y5i

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Bob Dylan – Triplicate [3CD] (2017) [CD FLAC]

Bob Dylan - Triplicate [3CD] (2017) [CD FLAC] Download

Artist: Bob Dylan
Album: Triplicate [3CD]
Genre: Rock
Year: 2017
Size: ~ 644 mb
Source: CD
Quality: lossless
Sample Rate: 44.1 kHz / 16 Bit

Description:

It’s possible to read the title of Triplicate in two ways. First, the 2017 collection is the third installment in Bob Dylan’s exploration of the Great American Songbook, following quickly on the heels of 2015’s Shadows in the Night and 2016’s Fallen Angels. Secondly, Triplicate is indeed a triple-album, or perhaps more accurately, a set of three interlinked albums all running 32 minutes apiece. Each of the three discs are given titles — the first is dubbed ‘Til the Sun Goes Down, the second Devil Dolls, with Comin’ Home Late rounding out the collection — and they’re presented in a manner not dissimilar to an old-fashioned album of 78 rpms, a nod to the dawn of popular recorded music. By now, Dylan’s approach to this material is familiar — he takes his touring band into the legendary Capitol Studios in Hollywood to record arrangements that feel lean yet full, rooted in pre-war pop but played for a barroom audience — but it is by no means exhausted. Dylan is captivated by this music, reveling in the lyrics, restoring intros often left off of modern interpretations, bending his style to fit the songs instead of vice-versa. Like Fallen Angels before it, Triplicate is palpably lighter than the weary Shadows in the Night, and that’s not just because there are livelier tempos here (“Day In, Day Out” positively glides along on its swift speed and horns). Much of this breeziness derives from Dylan’s performance. Cherishing the turns of phrase as much as the intent of the song, he sings with a sly sensitivity that’s alluring; when he elongates a phrase or has his voice crack, he reveals more about the song than any retro-swinger with showboating chops. This comparison stands on Triplicate more than its predecessors because it’s filled with songs that often appear on modern collections of standards: “Stormy Weather,” “As Time Goes By,” “The Best Is Yet to Come,” “Day In, Day Out,” “Sentimental Journey,” These Foolish Things,” and “Stardust.” Dylan treats these common classics with as much care as he does “There’s a Flaw in My Flue,” a Jimmy Van Heusen/Johnny Burke obscurity that appeared on Frank Sinatra’s 1957 Close to You. Its appearance suggests how Triplicate, along with its cousins, is an ongoing exploration of Sinatra’s body of work, but if Dylan learned anything from Sinatra, it’s how to drill to the core of the song. Dylan does just that on Triplicate, finding the heart beating within some old warhorses and placing them within several great American musical traditions, and that’s why this cements his place as one of the most distinctive interpreters of the Great American Songbook. – AllMusic Review by Stephen Thomas Erlewine

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